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Titi Yu

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Titi Yu is an award-winning documentary filmmaker and multi-media journalist. She has produced and directed a wide range of multi-media projects including podcasts, independent documentaries, and highly stylized television series for PBS, HBO, and Showtime. She has also reported from the frontlines of international conflicts, winning numerous journalism awards including two Emmys for her investigative work with Vice News HBO. Titi is a 2012 Fellow at Columbia University’s Alliance for Historical Dialogue. She holds a B.A. from University of Pennsylvania and a M.A. from Emerson College.

Articles

A star blanket.
Weaving the World: Lisa Jackson Presents ‘Wilfred Buck’s Star Stories’ in XR
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A mother and daughter sit side-by-side. The daughter holds a film slate.
Exclusive: Clip From Beth Lane’s ‘UnBroken’
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In front of a black monolithic statue, a man in a red sweater stands bent over backward.
TIFF 2024: Unleash the Niche
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Film still closeup of a white man's hand hovering behind the stalk of a blade of grass.
NYFF 2024: Independent Means
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A police officer stands in front of a protest.
In ‘The Dialogue Police,’ Susanna Edwards Explores Swedish Police Officers’ Tireless Effort to Protect Freedom of Speech
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Film still from 'The Loving Story'
Docs to Watch for Valentine’s Day
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A white man in a blue shirt stands in the middle of a set. There are four other people, including a cameraperson, surrounding him.
Redundancies, Netflix Global Successes, and Development News: Making a Production Updates From Grain Media
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Image of a crowded screening room with blue chairs.
U.S. Documentary Film Nonprofits Adjust Amid Drastic Changes to NEA Funding Criteria
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In a nondescript office, one woman cries into her hands as another one leans over her desk.
“The Nature of the Institution Will Have Changed”: Frederick Wiseman Describes the 4K Restoration of 33 Features
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Against a dark night sky, the marquee of the Egyptian Theater reads: "Sundance Film Festival."
Sundance May Now Be the World’s Most Important Documentary Launchpad
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Photograph of a group of young men with bare chests and faded green khaki pants and red caps. A single older man in a white jacket stands in the back row.
“A Battle for Storytelling”: Igor Bezinović Explores Gabriele D’Annunzio’s Proto-Fascist Legacy in IFFR-Bound ‘Fiume o Morte!’
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Picture of Q&A participants in front of a movie screen with FallDocs logo
Watch our Q&As with all 2025 Oscar Best Feature Documentary nominees
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Photo of the outside of a theater, with a lit up marquee of the 40th IDA Documentary Awards' pink and purple graphics.
The More Things Change: A History of Documentary Film Through the First 40 Years of IDA’s Documentary Awards
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Faded black and white photo of well-dressed documentarians in the lobby of the DGA.
Appreciate in Value: A Short, Critical History of Documentary Film Awards
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Jimmy Goldblum wearing a hazmat suit in the rubble of his Altadena home after the Easton Fires.
A Place of Fleeting Beauty: An Altadenan Filmmaker Sees Echoes of his Films in the Fire
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A woman in a pink jacket holds up a sign that reads: "Assisted Suicide: The World's Cheapest Healthcare."
“Societal Failures Are Dictating What People Do”: Reid Davenport’s ‘Life After’ Connects Assisted Dying With a Fear of Disability
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A wanted poster going up in flames.
“There’s Affection But Also Skepticism”: Charlie Shackleton Takes Apart True Crime in ‘Zodiac Killer Project’
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In a crowd of protestors, a woman in a pink coat speaks into a microphone while raising her right arm.
“Changing, Ebbing, Flowing”: Amber Fares’s ‘Coexistence, My Ass!’ Features Israeli Comedian Noam Shuster Eliassi
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Still image of Jeff Buckley, holding a microphone.
“Like a Knife to the Stomach”: Amy Berg on the Singer’s Relationships in ‘It’s Never Over, Jeff Buckley’ 
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Grainy photograph of the singer Selena, standing in front of bright stage lights.
“I Want to Humanize That Symbol”: Isabel Castro on ‘Selena y Los Dinos’
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A son dabs gently at the sweat on his father's brow.
“He Will Do Anything For Me”: Tadashi Nakamura on Filming His Trail-Blazing Father Robert Nakamura in ‘Third Act’
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A blond young woman looks at a howling dog.
“A Dog Really Brings Out the Humanity in a Person”: Heidi Ewing and Rachel Grady on ’FOLKTALES’
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Lo-res still image of a man in a green jacket being handcuffed by a man wearing a "KBI" shirt. There is another man with a large digital video camera filming the face of the man being arrested, and a sliver of a boom pole in another corner of the image.
“Emotional Ping-Pong”: David Osit’s ‘Predators’ Moves Beyond True Crime Binaries
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A young Chinese man in a colorful button-up shirt sits in front of a mirror in a barbershop, spraying hairspray onto his head.
“Playing Three-Dimensional Chess”: Balancing Personal Lives and the Status Quo in Violet Du Feng’s ‘The Dating Game’
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Aaron Bear
IDA Member Spotlight: Aaron Bear
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Marlee Matlin, dressed in a white shirt and denim overalls, lays down on a couch.
The Preview: Five Documentaries to Catch at Sundance 2025
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An empty room that has been bombed with fabrics, chairs strewn around and windows open.
“Made Out of Necessity”: Oksana Karpovych Discusses the Chronology of ‘Intercepted’
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Hazy photograph of a young Vietnamese woman with large earrings.
The Feedback: Elizabeth Ai Sheds Light on a Vietnamese Subculture and Her Fractured Family Tree in ‘New Wave’
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man reclines on a rock hill with a tank in the background
No Other Distribution: How Film Industry Economics and Politics Are Suppressing Docs Sympathetic to Palestine and Critical of Israel
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A small boat with around a dozen people motors toward shore.
“Comradeship Compels It”: Jason Soo on the Challenges of Making and Releasing ‘Al Awda’
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A Black man in a navy suit sits at a wooden courthouse table.
“Examining Their Eyes, Hands, Hair, Mouths, and Posture”: Darius Clark Monroe on the Intimacies of Docuseries ‘Dallas, 2019’
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Letter from the Editor, Winter 2024/2025
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Notes From the Reel World, Winter 2024/2025
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Photograph of a print out of a budget topsheet, a pen, and a calculator.
A Fresh 2025 Introduction to Documentary Budgeting and Scheduling (With New Templates!)
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Image promoting the Oscars 2025 Shortlist. Features filmstills from Queendom, Sugarcane, Union, and Black Box Diaries
Congratulations: IDA Grantees on the Oscars 2025 Shortlists
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Backlit by the sun, the silhouette of a man walking down a snowy road.
IDFA 2024: What We Owe
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Inside a van, a man in an elaborate bullfighting outfit sits surrounded by his entourage.
Agony and Ecstasy: The Bullfight in Albert Serra’s ‘Afternoons of Solitude’
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Reed Martin. A man with white skin smiles at the camera. He has short, brown hair, blue eyes and is wearing a blue collared shirt.
Member Spotlight: Reed Martin
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A top-down photograph of camera gear.
What’s in My Bag: Victor Tadashi Suárez
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Cut outs of photographs of a light-skinned woman with long hair.
Momentary Shelter: Miguel Coyula and Lynn Cruz Discuss the Risks of Making ‘Chronicles of the Absurd’
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In a reflected mirror, a woman with long black hair removes a red hair ribbon.
Paul Leduc’s Alphabet: Notes on a Retrospective at Doclisboa 2024
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Two men in black button-up shirts look at the camera.
The Only Path Forward: ‘No Other Land’
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Two Black women sit on whicker chairs, talking cordially to each other.
“Chronic Dissidence”: IDFA Artistic Director Orwa Nyrabia on the Revolutionary Films of Sara Gómez (Spotlight on Cuba)
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IDA Open Call 2024 Grantees
IDA Announced 2024 Open Call Grant Recipients Receiving a Total of $525,000
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A bald white man, in a dark uniform, talks to another man with his back facing the camera.
Crimes of Opportunity: Luuk Bouwman on His Portrait of a Nazi Official, ‘The Propagandist’
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Black Box Diaries film still
“Just Breathing Is Enough”: Shiori Ito on Culture Shock, ‘Black Box Diaries’, and Skinny Dipping
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A neon-colored stock image of a table full of people working on computers and laptops.
How Short Production Timelines Ruin Documentaries
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Wearing similarly-colored green shirts, a Black woman and her daughter smile while looking off-screen.
“The Tree Can Still Bear Fruit”: Laurie Townshend Discusses Her Staceyann Chin Doc ‘A Mother Apart’
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Headshot of Berry Hahn. A black and white image of a smiling mixed-race woman with mid-length curly brown hair, wearing a jacket with a houndstooth pattern.
IDA Member Spotlight: Berry Hahn
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A woman leans back against a chair.
The Synthesis: Piotr Winiewicz on the “Surprisingly Ordinary Dreams” Generated by AI in His IDFA Opening Film
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