Skip to main content

Gilbert Mirambeau Jr.

Gilbert Mirambeau Jr - Producer Headshot

Gilbert Mirambeau Jr. is a producer, writer, and activist based in Haiti. He is the general manager of Muska Group, a leading production company specializing in advertising. In 2015, he co-founded Muska Films and produced his first mid-length film, Kafou (2017), which won multiple awards. In 2022, he executive-produced the short documentary Brave, pre-selected at Cannes Directors’ Fortnight and honored with several prizes. His debut feature, Kidnapping Inc., premiered at Sundance in 2024. Gilbert is also an alumnus of the Producers Labs at Locarno, Berlin, Eurodoc, and Cannes.

Articles

Silhouette of a man driving, with a woman seated on his right. A yellow NYC taxi drives past, visible through the windshield.
Window Dressing: ‘The United States of America’ at 50
Online Feature
Read More
A large stag sits, foregrounded in verdant grass. Behind it is a forest of birch and oak trees.
Exclusive: Trailer From Dmytro Hreshko’s Karlovy Vary-Premiering ‘Divia’
Exclusive News
Read More
In a bright green room, three figures are pictured: A woman in a red sweater resting her hand on a man playing a violin's shoulder, as next to them a boy in a plaid shirt plays guitar.
“The Racism Was So Thick, You Could Cut It With a Pair of Scissors”: Alanis Obomsawin on Her Life Works and Purpose
Online Feature
Read More
An elderly couple stands on a beach, gazing lovingly, with their hands on each other's faces.
Exclusive: Trailer from Garry Keane’s Doc Edge-Premiering ‘A Quiet Love’
Exclusive News
Read More
Two presenters stand at the podium, giving a talk during Getting Real '24. The slide behind them reads "Core Questions."
How to Best Describe Your GenAI Materials in Documentary Proposals: Four Approaches, From a Grant Reviewer
Online Feature
Read More
Visitors, framed in an orange glow, put their hands up to a wall-panel as part of the "In Search of Us" exhibit.
Tribeca Immersive 2025: Better Off Together
Online Feature
Read More
Mierle Ukeles stands, in a bright orange t-shirt, teal pants, and sanitation vest, in front of a garbage truck covered in graffiti speaking with its driver, who is wearing a uniform.
“Mierle Does Not Fit Neatly Into Any Box”: Toby Perl Freilich Discusses Her Tribeca-Premiering ‘Maintenance Artist’ Starring Mierle Laderman Ukeles
Online Feature
Read More
Notes From the Reel World, Summer 2025
Column
Read More
Davide Abbatescianni stands on a stage giving a talk. Behind him is a slide in blue captioned "Collaboration is key."
How To Get Your Doc in the Spotlight: A Press Strategy Talk at Iceland’s Skjaldborg Festival
Online Feature
Read More
In black and white, Andrea Nevins stands on a balcony with the ocean behind her, smiling brightly..
Remembering Andrea Nevins
Online Feature
Read More
Letter From the Editor, Summer 2025
Column
Read More
A close-up of a girl in bright glittery orange, red, and black facepaint. The focus is on her face, and the background is a vibrant purple.
Exclusive: Clip from Vickie Curtis and Doug Anderson’s Sheffield-Premiering ‘Comparsa’
Exclusive News
Read More
In a yellow room, a man in a beige trench coat talks to a man who is shaving.
Cannes 2025: Nonfiction, By the Numbers
Online Feature
Read More
Image of a white peacock, dog, and two women in space suites in front of a volcanic painted landscape.
Exclusive: Clip from Beth Stephens and Annie Sprinkle’s ‘Playing With Fire: An Ecosexual Emergency’
Exclusive News
Read More
A Black man talking to a group of white people, while standing in the middle of a forested area.
“An Exploration of Whiteness and the Flattering Illusions of History”: Suzannah Herbert on her Tribeca-Winning Natchez
Online Feature
Read More
A photograph of a young man has scratches and line drawings on top.
“Sometimes the Past Is a Snake”: Tatiana Fuentes Sadowski on the Legacy of the Rubber Trade in ‘The Memory of Butterflies’
Online Feature
Read More
Underneath a lush, green canopy, two figures stand closely with talking.
“Fear Can Also Be Powerful for Creation, Not Just for Destruction”: Déni Oumar Pitsaev on his Cannes Prize-Winner ‘Imago’
Online Feature
Read More
Core App 3.1 Artificial Intelligence Addendum cover image with a camera icon in the middle of a blue circle
An Update to the NonFiction Core Application 3.1: Adding Optional GenAI Questions and Field Resources
Blog
Read More
On a brown carpet, items from Ng's bag are laid out artfully in roughly a grid formation.
What’s in My Bag: Iris Ng
Column
Read More
A man in a raincoat poises an arrow to be shot.
Exclusive: Clip from Edivan Guajajara, Chelsea Greene, and Rob Grobman’s ‘We Are Guardians’
Exclusive News
Read More
A figure sits on a concrete slab in an arid landscape.
The Synthesis: ‘Deepfaking Sam Altman’ Director Adam Bhala Lough Says Documentarians Should Get Good Lawyers
Column
Read More
Against a gorgeous sunset, two figures stand silhouetted.
The World’s a Stage: An Introduction to ‘Grand Theft Hamlet’ and Other Documentaries Made in Video Games
Feature
Read More
A purple-tinted photograph of a stage with "Hot Docs" projected on screen.
Hot Docs 2025: Life Support
Online Feature
Read More
A young couple sits on the back of a pickup trick, with a portrait of Jesus wearing red.
“Haunts the Present”: Kinga Michalska on Connecting the Holocaust With Poland’s Migrant Crisis in ‘Bedrock’
Online Feature
Read More
two people standing in light brown dirt with a blue sky and light brown landscape. A train yard and a train are in the distance.
Pare Lorentz Fund 2025: Migration in and to the Americas
Blog
Read More
Critical Voices Under Attack in Hungary. Statement on the state of Hungarian Documentary Film and Filmmakers by Hungarian Documentary Association.
Threats to Freedom of Speech in Hungary
Advocacy
Read More
A filmmaker accepts an award from a clapping jury.
“At the Core, It’s About Supporting Filmmakers”: Galya Stepanova on Doc Alliance’s Evolving Mission
Online Feature
Read More
Red PBS logo with a black X over the mouth.
“C” is for Censorship: PBS Cuts ‘Art Spiegelman’ Doc and Other Dubious Acts at Embattled Broadcaster
Feature
Read More
middle aged, caucasian man smiling with a gray goatee and blue eyes wearing a black baseball cap and a black hoodie with a gray sport coat
IDA Member Spotlight: Erik Thureson
Blog
Read More
A hand reaches up to rest on the window of a train with the colors of the Ukrainian flag.
“How War Becomes Part of the Human”: Alina Gorlova, Yelizaveta Smith, and Simon Mozgovyi on their Cannes-Premiering ‘Militantropos’
Online Feature
Read More
In an overgrown field, a young boy squats while holding a pair of binoculars.
“Capturing the Poetic Essence of Childhood Innocence”: Deming Chen and Hansen Lin on Their CPH:DOX and Jeonju Winner ‘Always’
Online Feature
Read More
Film still showing a line of police walking down a public street.
Death by Landscape: Masao Adachi’s ‘A.K.A. Serial Killer’
Feature
Read More
With blurry votive candles in the foreground, an image of a photograph of a young man.
“Acutis Was Extremely Close to the Heart of Pope Francis”: Tim Moriarty Discusses ‘Carlos Acutis: Roadmap to Reality’
Online Feature
Read More
Three white men look at a camera monitor.
“The Toll That Takes on Your Life”: Chris Smith Rejects Sports Documentary Label for Hit Surfing Docuseries ‘100 Foot Wave’
Online Feature
Read More
A crowded room full of filmmakers meeting.
Qumra’s Quiet Strength: Championing Documentaries from the MENA Region and Beyond
Online Feature
Read More
An AI-generated image of a blue flag.
The Synthesis: We Must Protect Human Creativity from Being Flattened by AI
Column
Read More
Headshots of four smiling Asian American impact producers
Exclusive: A-Doc Announces Four 2025 AAPI Futures Impact Producer Fellows
Exclusive News
Read More
A figure wearing a dark puffy jacket looks at the lit-up Eiffel Tower in the background.
Dark Night of the Body: Sylvain George’s Obscure Night Trilogy Uncovers Immigration Experiences
Online Feature
Read More
Video still of a living room with a TV and a large sign that reads "The Best of ME."
“He’s Kind of the Original Vlogger”: In ‘The Best of Me,’ Heather Landsman Traces Ricardo López’s Violent Obsession with Björk 
Online Feature
Read More
A colorful red and green graphic labeled "Wyncote Fellows 2025," the Wyncote Foundation logo, and featuring the headshots of 12 smiling directors.
Exclusive: AmDoc Announces Twelve 2025 Wyncote Fellows, Nominated by PBS Indies
Exclusive News
Read More
The Everglades under a crisp blue sky with a smattering of clouds.
Exclusive: Clip From Sasha Wortzel’s ‘River of Grass’
Exclusive News
Read More
Defend Public Media in the United States
Advocacy
Read More
Photographs are scattered throughout the grass. There is a building with a cross in the background.
“Literally and Knowingly Poisoned”: Zhanana Kurmasheva Discusses ‘We Live Here’
Online Feature
Read More
A black woman writes on a piece of large paper taped to a wall. On it is written: "Who Decides?"
Rebranding at 20, Commitments to Collective Filmmaking, and the Release of ‘Emergent City’: Making a Production Updates From Meerkat Media
Online Feature
Read More
Three female police officers in uniform in a crowded office.
“The Police Are Just A Bandaid”: Shashwati Talukdar And Cheryl Hess on Hot Docs-Premiering ‘Marriage Cops’
Online Feature
Read More
From below, a young Japanese woman wearing a beanie and a blue winter coat standards with arms outstretched.
Berwick 2025: Round Here
Online Feature
Read More
Graphic with a blue background and the headshots of six filmmakers.
BAVC Media Announces Six 2025 MediaMaker Fellows
Exclusive News
Read More
Five people sit on stage.
Could Policy Be the Answer?
Feature
Read More
Headshot collage of Blake Knecht, Gríma Eir Geirs Irmudóttir, and Shawn Antoine II.
Member Spotlight: Blake Knecht, Gríma Eir Geirs Irmudóttir, and Shawn Antoine II
Blog
Read More
In a room with shelves lined with tapes, a group of people gather around a table with film materials.
What Filmmakers Should Know About Privacy and Copyright From BAVC Media’s Upcoming Landmark Study on Magnetic Media
Feature
Read More