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Grayson Earle

Headshot of a an aging hipster in a funhouse mirror

Grayson Earle is a contemporary artist and activist from the United States. His work deals with the role that digital technologies and networks can play in protest and political agency. He is known for his guerrilla video projections as a member of The Illuminator Art Collective and Bail Bloc, a computer program that posts bail for low-income people.

Articles

Lumpkin and Safinia Reflect on Six Transformative Years at the IDA
Blog
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'Innocence of Muslims' and What It Means for Documentary Filmmaking
Advocacy
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How Two Montreal Fests Sparked Debate about the Doc Form
Feature
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2014 Pare Lorentz Documentary Fund Grantees Announced
News
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Taiwan Doc Fest Showcases Indie Work from China
Feature
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Sundance 2015 Selection 'Dreamcatcher' Empowers Girls and Women in Gritty Chicago
Feature
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The World According to Fenton Bailey and Randy Barbato
Feature
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2015 DMCA Exemption for Filmmakers
Advocacy
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Comedy Writer and Author Carol Leifer to Host 30th IDA Awards
Blog
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Rithy Panh on Film Preservation and the Importance of Memory
Feature
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Ali-Foreman, 40 Years Later: Morgan Neville on 'When We Were Kings'
Column
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Experts Talk Branding and Community at FIND Forum
Online Feature
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Laura Poitras on the Making of 'Citizenfour'
Feature
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'E-Team' Directors on Filming in Dangerous Places
Feature
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Orson Welles' Faux Doc 'F for Fake' Gets Blu-ray Release
Online Feature
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#FunderFriday : Cal Humanities
Blog
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Henry S. Breitrose, Founder of Stanford's Documentary Program, Dead at 78
Blog
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Documenting While Black: The Making of 'Evolution of a Criminal'
Feature
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Jesse Moss on the Complexities of Faith in 'The Overnighters'
Column
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'Makers' Tells the Stories of Women on the Move
Column
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Peruvian Doc Showcase Salutes a Master
Online Feature
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Sample the Docs from TIFF 2014
Online Feature
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How Timothy Greenfield-Sanders Brings His Portraits to Life
Online Feature
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How To Grow Your Audience: Ambulante California's Christine Davila on Touring LA
Online Feature
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20,000 Days, 57 Years and 90 Minutes with Nick Cave
Online Feature
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Ken Burns Spends 14 Hours with 'The Roosevelts'
Online Feature
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Filmmaker Gabor Kalman Reflects on US Embassy-Sponsored Tour of Native Hungary
Online Feature
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Sneak Peek inside the Fall 2014 Issue of 'Documentary' Magazine
Blog
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Five for Filmmaking: A Quintet of Documentarians Discuss Career and Life Choices
Feature
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Filmmakers Can Find Themselves at GETTING REAL: A Conversation with Conference Producer Allison Berg
Feature
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Filmmakers to Ignite Change at GETTING REAL 2014
Feature
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Art Rock: 'Levitated Mass' Tracks a Trek from Quarry to Museum
Online Feature
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Fall 2014 Grants & Opportunities
Blog
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On the Eve of Toronto, Montreal Hosts a World Film Fest
Online Feature
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'Through a Lens Darkly': Thomas Allen Harris on Photography and Black Identity
Online Feature
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Fast Foreword: The Editor's Column, Summer 2014
Column
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Playback: Barbara Kopple's 'Harlan County USA'
Column
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Career Opportunities: An Interview with Getting Real Keynote Speaker Dawn Porter
Feature
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'Big Men' Director Rachel Boynton on the Complex World of Petro-Politics
Online Feature
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Textbook Example: A History of Docs in 31 Essays
Column
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#FunderFriday: Catapult Film Fund
Blog
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Storyhunter Portal Connects Video Journalists with Publishers
Feature
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5 Ways to Tap into Cable's Nonfiction Programming
Blog
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Every Picture Tells a Story: Jeremiah Zagar Revisits 'The Trials of Pamela Smart'
Online Feature
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Ron Mann's 'Altman' Lets the Director Speak for Himself
Online Feature
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Father of American Cinéma Vérité Robert Drew Dies at 90
Blog
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'Rich Hill': Home Truths in America's Third World
Online Feature
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From 'Tupac' to 'True Life': The Story's the Thing at MTV's Documentary Division
Feature
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Awakening New Ways of Perception: The Visions Du Réel Film Festival
Feature
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In-Depth, Not Imbedded: Al Jazeera America's Docs Eschew Points of View
Feature
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