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  • Zarifa Ghafari, an Afghan woman with black shoulder-length hair, wearing a black coat and a red patterned scarf and a surgical mask around her neck, is sitting in the back seat of a moving car, looking out the window. From Tamana Ayazi and Marcel Mettelsiefen’s In Her Hands. Courtesy of Netflix ©2022
    Column
    By Lauren Wissot

    Doc Star of the Month: Zarifa Ghafari, 'In Her Hands'

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  • Column
    By Tom White

    Fast Foreword, The Editor's Column, Fall 2022

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  • A black-and-white photo booth shot of a mother holding her toddler. Images from Jonathan Caouette’s Tarnation. Courtesy of Wellspring Media
    Column
    By Paula Eiselt

    Jonathan Caouette's 'Tarnation'

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  • Happy Oliveros (left) stands with his hands on his hips; he wears a royal blue shirt, a red baseball cap and sunglasses; Carlos O. González (right) wearing a royal blue jersey, LA Dodgers cap and white pants, winds up to pitch. Both men--nativHappy Oliveros (left) rests with his hands on his hips, while Carlos O. González (right) winds up to pitch. Both men are risking their life and exile pursuing MLB contracts, many of which will never transpire into anything tangible. Photo courtesy of ‘The Last Out’.
    Column
    By Lauren Wissot

    Doc Stars of the Month: Happy Oliveros, Carlos O. González and Victor Baró, 'The Last Out'

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  • A crosswalk shows a shadow of a man using an electric wheelchair as a person walks ahead. Photo courtesy of Reid Davenport.
    Column
    By Lauren Wissot

    Doc Star of the Month: Reid Davenport, 'I Didn't See You There'

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  • Tata Balladares and other para-enforcers pose with a chainsaw they have confiscated and dismantled. From Karl Malakunas' 'Delikado.' Photo: Karl Malakunas
    Column
    By Patricia Thomson

    Defending the Rainforest in the Philippines: 'Delikado' Means Danger

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  • A red overlay on a mirrored image of David Bowie singing into a mic, from ‘Moonage Daydream.’ Photo courtesy of NEON.
    Column
    By Tom White

    'Moonage Daydream': Brett Morgen Presents The David Bowie Experience

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  • Left to Right: Keisha Knight (IDA Director of Funds), Brian J. Davis (IDA Development Director), Maria A. Santos (IDA Funds Program Officer), Grace Lee (IDA Board Co-President), Rick Pérez (IDA Executive Director). Photo Credit: Laura Ann Ahmed.
    Column
    By Rick Pérez

    Notes from the Reel World, Fall 2022

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  • Column
    By Tom White

    Fast Foreword, The Editor's Column, Summer 2022

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  • The cover of 'India Retold: Dialogues with Independent Documentary Filmmakers in India,' a compilation of commentary from 30 contemporary documentary filmmakers, is red, with black-and-white photos.
    Column
    By Uttaran Das Gupta

    India's Truthtellers: A Half-Century of Independent Doc-Making in a Turbulent Political Landscape

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  • Neidinha Bandeira, an environmental activist, bathes in a river in the Amazon rainforest. From Alex Pritz’s ‘The Territory.’ Photo courtesy of National Geographic.
    Column
    By Ela Bittencourt

    'The Territory' Strikes a Balance of Filmmaking Power

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  • An array of items that Jessica Beshir takes along in her Kata Pro-Light camera bag when she's in production.
    Column
    By Jessica Beshir

    Inside Out: Jessica Beshir

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