"This is a place where you can breathe deeply," advised Cara Mertes, director of the Sundance Institute Documentary Film Program and Fund , during
Producing
June 15, 2017
Based in Copenhagen and run jointly by Signe Byrge Sørensen, Anne Köhncke, Monica Hellström and Heidi Elise Christensen, Final Cut for Real is one of
A review of Alan Rosenthal's 'Writing, Directing, and Producing Documentary Films and Videos" (Third Edition)
The Independent Film Producer's Survival Guide A Business and Legal Sourcebook By Gunnar Erickson, Harris Tulchin and Mark Halloran <Schirmer
Shoestring budgets, borrowed equipment, deferred pay, intermittent and interminable production schedules—these have become the required ingredients
November 19, 2012 @
Eddie Schmidt sits down with World of Wonder for a discussion on running a transatlantic production company, crossing genre boundaries, and managing the famous & infamous.
December 17, 2012 @
Moderated by IDA Board Member Stephen Nemeth of Rhino Films, our panel of veteran non-fiction producers discuss what to expect when producing a doc and how a successful producer gets the entire production team to deliver their best.
June 15, 2012 @
Dive into a discussion with doc filmmakers who have traveled the globe and film commissioners whose job it is to make filming in their countries as straightforward as possible.
In January 1999, The New York Times ran an article in its Arts and Leisure section entitled ''Female Directors Battle the Indie Boys Club,'' about
"Telling Stories that change the world," emphatically defines the mission of GreenTreks Network, Inc. In partnership with KRCB Television 22 in