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Stina Gardell

Stina Gardell founded Mantaray Film in 2005 and has since produced 29 documentaries and co-produced 10 international documentaries. She has twice been awarded Best Documentary at Prix Italia, in addition to a number of prestigious film awards. Her most recent production, The Most Beautiful Boy in the World, premiered at Sundance 2021 and was picked up by Films Boutique. Her film Ingrid Bergman In Her Own Words (2015) premiered at Cannes, where it received a Golden Eye Special Mention. And Joyce Carol Oates - A Body in the Service of Mind premiered in Telluride 2021.

Articles

Three images of this year's BGDM fellows appear above the BGDM logo.
Brown Girls Doc Mafia Announces Three 2025 Sustainable Artist Fellows
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A boat in vast, open water billows black smoke into the night sky.
Exclusive: Clip of Doctors Without Borders Mission From Sam Abbas’s ‘Europe’s New Faces’
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Silhouette of a man driving, with a woman seated on his right. A yellow NYC taxi drives past, visible through the windshield.
Window Dressing: ‘The United States of America’ at 50
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A large stag sits, foregrounded in verdant grass. Behind it is a forest of birch and oak trees.
Exclusive: Trailer From Dmytro Hreshko’s Karlovy Vary-Premiering ‘Divia’
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In a bright green room, three figures are pictured: A woman in a red sweater resting her hand on a man playing a violin's shoulder, as next to them a boy in a plaid shirt plays guitar.
“The Racism Was So Thick, You Could Cut It With a Pair of Scissors”: Alanis Obomsawin on Her Life Works and Purpose
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An elderly couple stands on a beach, gazing lovingly, with their hands on each other's faces.
Exclusive: Trailer from Garry Keane’s Doc Edge-Premiering ‘A Quiet Love’
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Two presenters stand at the podium, giving a talk during Getting Real '24. The slide behind them reads "Core Questions."
How to Best Describe Your GenAI Materials in Documentary Proposals: Four Approaches, From a Grant Reviewer
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Visitors, framed in an orange glow, put their hands up to a wall-panel as part of the "In Search of Us" exhibit.
Tribeca Immersive 2025: Better Off Together
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Mierle Ukeles stands, in a bright orange t-shirt, teal pants, and sanitation vest, in front of a garbage truck covered in graffiti speaking with its driver, who is wearing a uniform.
“Mierle Does Not Fit Neatly Into Any Box”: Toby Perl Freilich Discusses Her Tribeca-Premiering ‘Maintenance Artist’ Starring Mierle Laderman Ukeles
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Notes From the Reel World, Summer 2025
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Davide Abbatescianni stands on a stage giving a talk. Behind him is a slide in blue captioned "Collaboration is key."
How To Get Your Doc in the Spotlight: A Press Strategy Talk at Iceland’s Skjaldborg Festival
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In black and white, Andrea Nevins stands on a balcony with the ocean behind her, smiling brightly..
Remembering Andrea Nevins
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Letter From the Editor, Summer 2025
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A close-up of a girl in bright glittery orange, red, and black facepaint. The focus is on her face, and the background is a vibrant purple.
Exclusive: Clip from Vickie Curtis and Doug Anderson’s Sheffield-Premiering ‘Comparsa’
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In a yellow room, a man in a beige trench coat talks to a man who is shaving.
Cannes 2025: Nonfiction, By the Numbers
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Image of a white peacock, dog, and two women in space suites in front of a volcanic painted landscape.
Exclusive: Clip from Beth Stephens and Annie Sprinkle’s ‘Playing With Fire: An Ecosexual Emergency’
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A Black man talking to a group of white people, while standing in the middle of a forested area.
“An Exploration of Whiteness and the Flattering Illusions of History”: Suzannah Herbert on her Tribeca-Winning Natchez
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A photograph of a young man has scratches and line drawings on top.
“Sometimes the Past Is a Snake”: Tatiana Fuentes Sadowski on the Legacy of the Rubber Trade in ‘The Memory of Butterflies’
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Underneath a lush, green canopy, two figures stand closely with talking.
“Fear Can Also Be Powerful for Creation, Not Just for Destruction”: Déni Oumar Pitsaev on his Cannes Prize-Winner ‘Imago’
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Core App 3.1 Artificial Intelligence Addendum cover image with a camera icon in the middle of a blue circle
An Update to the NonFiction Core Application 3.1: Adding Optional GenAI Questions and Field Resources
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On a brown carpet, items from Ng's bag are laid out artfully in roughly a grid formation.
What’s in My Bag: Iris Ng
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A man in a raincoat poises an arrow to be shot.
Exclusive: Clip from Edivan Guajajara, Chelsea Greene, and Rob Grobman’s ‘We Are Guardians’
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A figure sits on a concrete slab in an arid landscape.
The Synthesis: ‘Deepfaking Sam Altman’ Director Adam Bhala Lough Says Documentarians Should Get Good Lawyers
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Against a gorgeous sunset, two figures stand silhouetted.
The World’s a Stage: An Introduction to ‘Grand Theft Hamlet’ and Other Documentaries Made in Video Games
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A purple-tinted photograph of a stage with "Hot Docs" projected on screen.
Hot Docs 2025: Life Support
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A young couple sits on the back of a pickup trick, with a portrait of Jesus wearing red.
“Haunts the Present”: Kinga Michalska on Connecting the Holocaust With Poland’s Migrant Crisis in ‘Bedrock’
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two people standing in light brown dirt with a blue sky and light brown landscape. A train yard and a train are in the distance.
Pare Lorentz Fund 2025: Migration in and to the Americas
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Critical Voices Under Attack in Hungary. Statement on the state of Hungarian Documentary Film and Filmmakers by Hungarian Documentary Association.
Threats to Freedom of Speech in Hungary
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A filmmaker accepts an award from a clapping jury.
“At the Core, It’s About Supporting Filmmakers”: Galya Stepanova on Doc Alliance’s Evolving Mission
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Red PBS logo with a black X over the mouth.
“C” is for Censorship: PBS Cuts ‘Art Spiegelman’ Doc and Other Dubious Acts at Embattled Broadcaster
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middle aged, caucasian man smiling with a gray goatee and blue eyes wearing a black baseball cap and a black hoodie with a gray sport coat
IDA Member Spotlight: Erik Thureson
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A hand reaches up to rest on the window of a train with the colors of the Ukrainian flag.
“How War Becomes Part of the Human”: Alina Gorlova, Yelizaveta Smith, and Simon Mozgovyi on their Cannes-Premiering ‘Militantropos’
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In an overgrown field, a young boy squats while holding a pair of binoculars.
“Capturing the Poetic Essence of Childhood Innocence”: Deming Chen and Hansen Lin on Their CPH:DOX and Jeonju Winner ‘Always’
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Film still showing a line of police walking down a public street.
Death by Landscape: Masao Adachi’s ‘A.K.A. Serial Killer’
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With blurry votive candles in the foreground, an image of a photograph of a young man.
“Acutis Was Extremely Close to the Heart of Pope Francis”: Tim Moriarty Discusses ‘Carlos Acutis: Roadmap to Reality’
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Three white men look at a camera monitor.
“The Toll That Takes on Your Life”: Chris Smith Rejects Sports Documentary Label for Hit Surfing Docuseries ‘100 Foot Wave’
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A crowded room full of filmmakers meeting.
Qumra’s Quiet Strength: Championing Documentaries from the MENA Region and Beyond
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An AI-generated image of a blue flag.
The Synthesis: We Must Protect Human Creativity from Being Flattened by AI
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Headshots of four smiling Asian American impact producers
Exclusive: A-Doc Announces Four 2025 AAPI Futures Impact Producer Fellows
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A figure wearing a dark puffy jacket looks at the lit-up Eiffel Tower in the background.
Dark Night of the Body: Sylvain George’s Obscure Night Trilogy Uncovers Immigration Experiences
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Video still of a living room with a TV and a large sign that reads "The Best of ME."
“He’s Kind of the Original Vlogger”: In ‘The Best of Me,’ Heather Landsman Traces Ricardo López’s Violent Obsession with Björk 
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A colorful red and green graphic labeled "Wyncote Fellows 2025," the Wyncote Foundation logo, and featuring the headshots of 12 smiling directors.
Exclusive: AmDoc Announces Twelve 2025 Wyncote Fellows, Nominated by PBS Indies
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The Everglades under a crisp blue sky with a smattering of clouds.
Exclusive: Clip From Sasha Wortzel’s ‘River of Grass’
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Defend Public Media in the United States
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Photographs are scattered throughout the grass. There is a building with a cross in the background.
“Literally and Knowingly Poisoned”: Zhanana Kurmasheva Discusses ‘We Live Here’
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A black woman writes on a piece of large paper taped to a wall. On it is written: "Who Decides?"
Rebranding at 20, Commitments to Collective Filmmaking, and the Release of ‘Emergent City’: Making a Production Updates From Meerkat Media
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Three female police officers in uniform in a crowded office.
“The Police Are Just A Bandaid”: Shashwati Talukdar And Cheryl Hess on Hot Docs-Premiering ‘Marriage Cops’
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From below, a young Japanese woman wearing a beanie and a blue winter coat standards with arms outstretched.
Berwick 2025: Round Here
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Graphic with a blue background and the headshots of six filmmakers.
BAVC Media Announces Six 2025 MediaMaker Fellows
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Five people sit on stage.
Could Policy Be the Answer?
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