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Emma Simpson, Journeyman Pictures

Headshot of adult female with light skin tone and blonde hair, with dark background

Emma started her career in factual distribution as Head of the Footage department at Journeyman Pictures in 2009. Since then Emma has worked in all areas of distribution under the Journeyman roof, from footage to news and documentary sales and acquisitions. Today Emma co-runs the company, with a particular focus on acquiring new documentary projects and working on their global release strategies.

Articles

Werner Herzog's 'Grizzly Man'
Column
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American Film Showcase: A 'Journey' to Morocco
Feature
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Checking in at Sundance's Filmmaker Lodge: Hybrid Forms, Documentarians' Ethics and the Politics of Fear Discussed
Feature
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Blogville: New Advancements for the Doc Digerati
Feature
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Full Frame Earns Renown as Filmmakers' Festival
Online Feature
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Exiled in America: Muhammad Ali's Toughest Fight
Feature
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The IDA Supports #FreeAJstaff
Advocacy
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Sounding Out Documentaries
Feature
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University of California at Santa Cruz Master's Program in Social Documentation
Column
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Politics on Parade in Park City: Sundance Films Focus on Subjects Who Bucked the US System
Feature
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You Are What You Shoot: The Autodocumentary
Column
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A Picture Is Worth a Thousand Passions—But Is It Truth?
Feature
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IDA and FIND Present their Case on Orphan Works to the House Judiciary Committee
Advocacy
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Sound Minded: Dolby Institute Promotes Audio as a Storytelling Tool
Feature
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CAAMFest 2014: Asian American Showcase Brings Rich Spectrum of Docs to the Bay Area
Online Feature
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A Trove of Docs in the Treasure State: Big Sky Fest Draws Droves to Montana
Online Feature
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Documentary Production Insurance: Don't Shoot Away from Home without It
Feature
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The Challenges of 'Empire' Building: East Meets West in New Historical Miniseries
Feature
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From Short Ends to the Long View: Dean Focuses on Fundraising
Column
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Behind Your Film's Soundtrack: The Important Role of the Music Supervisor
Feature
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Dances with Lions: Documentarian Gladiators Pitch for Their Lives
Feature
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Keeping Your Film's Soundtrack on Track: Why You May Need a Music Supervisor
Feature
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Through the Lens: 'Finding Vivian Maier' Uncovers an Artist and Her Art
Feature
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A Historical Perspective: History Channel Series Focuses on the Facts Behind Fictional Feature Films
Feature
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Challenging the Believing-Is-Seeing Mindset: Errol Morris on Donald Rumsfeld and 'The Unknown Known'
Feature
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Shooting Amidst the Shooting: Doc-Making in War Zones
Feature
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RealScreen Rashomon: Annual Doc Summit Represents Many Things to Many Attendees
Feature
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Aural Fixations: Creating Sound and Music for Docs
Feature
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Q&A with Nuria Ibáñez, Director of 'The Naked Room'
Blog
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Hybrid Reality: When Documentary and Fiction Breed to Create a Better Truth
Feature
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The Battle of the Bands: Art vs Commerce: 'DIG!' and 'Metallica: Some Kind of Monster' Are about More Than the Music
Feature
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A Greek Week for Documentaries: Thessaloniki Documentary Film Festival
Feature
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SXSW Panels: Unbranded Content, Storyworlds, Toolkits and Crowdfunding
Feature
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Speaking Truth to Power: 'Anita' Tells a Tale of Transformation
Online Feature
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SXSW Music Docs: Britpop Reunions, Post-Alt Road Trips, Blues Survivors
Online Feature
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SXSW Documentaries: Invisible, Underwater, on Trapezes and Trees
Online Feature
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Compelling, Complex, Complicated: Documentary Diplomacy in the Middle East
Feature
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True/False: A Filmmaker's Fiesta
Online Feature
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Before 'Cosmos,' There Was 'Time': Morris' 'Brief History' Reissued by Criterion
Online Feature
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The Dos and Don'ts of Selling Your Documentary
Blog
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Sneak Peek: Inside the Spring Issue of 'Documentary' Magazine
Blog
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'20 Feet from Stardom,' 'The Lady in Number 6' Win Documentary Oscars
Blog
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Meet the Oscar-Nominated Filmmakers: Jehane Noujaim, Director, 'The Square'
Online Feature
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Charlotte Zwerin: 1931-2004
Feature
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Africa Unite! PAFF Mainstreams the Black Experience
Feature
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HBO Sports Goes the Distance
Feature
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Meet the Oscar-Nominated Filmmakers: Jason Cohen, Director/Producer, 'Facing Fear '
Online Feature
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Meet the Oscar-Nominated Filmmakers: Edgar Barens, Director, 'Prison Terminal: The Last Days of Private Jack Hall '
Online Feature
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A Cambodian 'Night and Fog': Filmmaker Rithy Panh Takes on the Khmer Rouge Genocide
Column
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Docs That Really Rock: Music Documentaries Go Beyond the Performance
Feature
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