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  • Four women sit on stage in discussion at a panel on distribution at DOC NYC 2021. Courtesy of DOC NYC.
    Feature
    By Nora Poggi

    Determining Another Definition: Towards a Subversive, Transparent Distribution System

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  • The Logan Elevate Grantees for 2022: (left to right) Paige Bethmann, an Indigneous woman with shoulder-length black hair, wearing a floral-print sweatshirt; Zippy Kimundu, an African woman with dreads, wearing a short-sleeved button-down white shirt; and Chelsea Hernandez, a Latinx woman with short dark hair, wearing a black shirt. .
    Feature
    By Kelsey Brown

    Meet the Logan Elevate Grantees

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  • Outgoing DOC NYC Artistic Director Thom Powers (left) is a white man with grey hair and glasses and a blue botton-down shirt. DOC NYC’s new artistic director, Jaie Laplante (right) is a white man with white hair and a purple botton-down shirt. Photo courtesy of Thom Powers.
    Feature
    By Thom Powers

    Changing of the Guard at DOC NYC: Thom Powers Passes the Baton to Jaie Laplante

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  • Two medical workers from Yung Chang’s ‘Wuhan Wuhan’ wear masks, bodysuits, and face shields with printed images of themselves on their chests in order to still be recognizable under all their safety wear. Courtesy of Stars Collective Films Entertainment Group Inc.
    Feature
    By Patricia Thomson

    As 'POV' Turns 35, Executive Producer Erika Dilday Speaks about the PBS Nonfiction Showcase

    Read more
  • Participants at Filamu Za Kina Dada Uongozini, a film training & production workshop program for female filmmakers courtesy of Media Focus on Africa (MFA) in partnership with Docubox. Photo courtesy of Docubox.
    Feature
    By Wilfred Okiche

    Kenya's Docubox Builds a Thriving Doc Community in East Africa

    Read more
  • Anand Patwardhan, an Indian man with long white hair, seated atop a van that is moving through the street, is filming 'Jai Bhim Comrade' (2011). Courtesy of Anand Patwardhan. Photo: Priyanka Borpujari
    Feature
    By Sudipto Sanyal

    Anand Patwardhan Will Not Give Up Hope

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  • Camden International Film Festival programmers: (left to right) Zara Meerza, Milton Guillén, and Zaina Bseiso. Courtesy of Camden International Film Festival
    Feature
    By Aaron E Hunt

    The Balancing Act of Impact: A Conversation with the CIFF Team.

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  • Getting Real ‘22’s programmers: (from left to right) Chris Boeckmann, Abby Sun, and Jonathan Ali.
    Feature
    By Mariana Sanson

    Getting Real '22: The Documentary Surround

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  • Reveca Torres is a Mexican-American female filmmaker, seen here filming in a large room. She is filming three participants, one of whom is a wheelchair user. Image courtesy of Reveca Torres.
    Feature
    By Reveca Torres

    Calling the Shots from a Wheelchair: A Filmmaker Reflects

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  • A crowd gathers at one of Ambulante’s many activities and screenings through the years. Photo courtesy of Delia Martinez.
    Feature
    By Mariana Sanson

    Ambulante's Post-COVID Reemergence: A Renewed Commitment to Community, But a Divide between Leadership and Workers

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  • 'Family Pictures USA' artist Thomas Allen Harris, left, a Black man with glasses and a blue button-down short, displays family photographs belonging to the Black couple to his left. Harris' 'Family Pictures USA' project co-creates a living and growing family picture album of America by traveling across the country and inviting community members to share images and stories from their personal family archives. Photo courtesy of Thomas Allen Harris.
    Feature
    By Tom White

    Co-Creation As a Democratic Act: A Conversation with Katerina Cizek and Thomas Allen Harris

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  • Las Vegas labor activist Ruby Duncan, a Black woman with an afro, wearing a leather jacket, leads a demonstration. From Hazel Gurland-Pooler's 'Storming Caesars Palace,' which won the Shine Award at BlackStar Film Festival. Courtesy of BlackStar Film Festival
    Feature
    By Kristal Sotomayor

    BlackStar Is the North Star for BIPOC Media Artists

    Read more
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