February 26, 2019
Editor’s Note: Jonas Mekas, dubbed by many as “the godfather of avant-garde cinema,” was this and many more: As an archivist and exhibitor, he co-
Archives
February 6, 2018
My career in documentary film began when I was brought on as a production assistant for Lyn Goldfarb and Alison Sotomayor's Bridging the Divide: Tom
January 12, 2018
This past October, the Brooklyn-based nonprofit UnionDocs convened a weekend workshop called "Speculations in the Archive," a sold-out gathering that
January 11, 2018
Archival images often form part of our collective memories. Whether it be Leni Riefenstahl's footage of the Nuremberg Rallies, Martin Luther King's "
January 11, 2018
Matthew White was a founder, first president, and is currently executive director of the Association of Commercial Stock Image Libraries (ACSIL), a
January 11, 2018
Over the past few years, the documentary form has seen a creative sea change in depictions of history: how it's rendered, what it represents and how
January 10, 2018
To create a portrait of an individual—movie producer Robert Evans, say, or musician Kurt Cobain—director Brett Morgen abides by an austere tenet. "I
January 9, 2018
By Steven Beer, Jake Levy and Neil Rosini Archive agreements have much in common with every other legally-binding license. They must identify the
January 9, 2018
Dear Readers, The image on the cover of this issue—from Bill Morrison's IDA Award-winning Dawson City: Frozen Time —tells a fascinating story. It's a
September 15, 2017
Vietnam looms large in the American psyche. It was a war with no news blackouts or selectively embedded journalists, and it was discussed at the