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  • Women sit and laugh among a heap of onions in a marketplace. From Kiro Russo’s ‘El Gran Movimiento.’ Courtesy of Cinema Tropical.
    Online Feature
    By Forrest Cardamenis

    Kiro Russo's 'El Gran Movimiento': A 21st Century Response to Vertov's Symphony

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  • Four Chinese dissidents--one woman and three men--dressed in suits, stand in New York City's Battery Park. From 1989 footage from the suspended project 'Tiananmen/China Today.' Courtesy of Christine Choy
    Online Feature
    By Helen Li

    'The Exiles' and How Resurrected Footage Tests the Balance of Memory

    Read more
  • Mable Haddock is a Black woman with a brown headband and a black shirt; she is seated at a table at a conference. Courtesy of Sharon La Cruise.
    Online Feature
    By Bedatri D. Choudhury

    Remembering Mable Haddock: Fierce Advocate, Unforgettable Leader, Guardian of Collective Legacy

    Read more
  • A woman, with her back to the viewer, stands before a triptych of paintings of a World War II-era Japanese American family. From 'Emerging Radiance,' created by filmmaker Tani Ikeda and artist Michelle Kumata. Courtesy of Tribeca Festival.
    Online Feature
    By Bedatri D. Choudhury

    From AR to VR: A Documentary for Every Reality

    Read more
  • Alice Diop is a Senegalese-French woman wearing a multicolored jacket. She is sitting in a library, speaking to Pierre Bergounioux, an older white French male writer. They're both being filmed. From Alice Diop's 'Nous.' Photo by Sarah Blum. Courtesy of Mubi.
    Online Feature
    By Bedatri D. Choudhury

    'Not Just the Filmer Filming the Filmed': The Ethical Softness of Alice Diop's Documentaries

    Read more
  • The eyes of a Black male driver reflected in a car's rearview mirror. From Geeta Gandbhir and Sam Pollard’s 'Lowndes County and the Road to Black Power.' Courtesy of Tribeca Festival.
    Online Feature
    By Bedatri D. Choudhury

    Tribeca 2022: Cheerful, Creative Cacophony

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  • Jessica Devaney is a white woman with shoulder-length brown hair. She is wearing a rust jumpsuit and speaking into the mic at Doc 10's awards ceremony. Photo by Barry Brecheisen.
    Online Feature
    By Jessica Devaney

    Liberation Isn't Something That We Arrive At

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  • A Q&A after a 2017 screening of 'Jewel's Catch One' at QDoc, featuring, from left to right, Deb Kemp, C. Fitz, Jewel Thais Williams and Molly King. Courtesy of QDoc.
    Online Feature
    By Hansen Bursic

    Looking Back and Moving Forward: QDoc, America's Only LGBTQ+ Documentary Festival

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  • Four men doing the Dabkha dance in front of a screen showing their footage of the Syrian revolution. From Rami Farah's 'Our Memory Belongs to Us.' Courtesy of Hot Docs.
    Online Feature
    By Bedatri D. Choudhury

    An In-Person Hot Docs 2022: Of Memory, Longing, Reconstructing, Questioning

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  • Luma is a female cow with black-and-white spots on her body. From Andrea Arnold’s ‘Cow.’ Courtesy of Kate Kirkwood. An IFC Films release.
    Online Feature
    By Imani Altemus-Williams

    Andrea Arnold's 'Cow': The Searing Romance and Reality of Nature

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  • Akuol de Mabior is a South Sudanese female filmmaker, whose film ‘No Simple Way Home’ played at SFFILM 2022. Courtesy of SFFILM.
    Online Feature
    By Hansen Bursic

    New Voices Stand Out at SFFILM, America's Longest-Running Film Festival

    Read more
  • Headshot of John Zaritsky, a white male filmmaker, with gray hair. He is wearing a purple sweater and tan jacket. Photo courtesy of Matt Carr/Getty Images.
    Online Feature
    By Marc Glassman

    Death Comes for the Filmmaker: John Zaritsky, Oscar-winning Documentarian

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