At the 2016 Tribeca Film Festival, enormous creativity was on display, from many angles. Perhaps most interesting was a critical mass of journalistic
Online Feature
By shining a light on what is becoming an increasingly dynamic relationship between the documentary filmmaking and journalism worlds, two recent
The 34th annual CAAMFest, produced and presented by the San Francisco-based Center for Asian American Media, blew into the Bay Area, along with some long-awaited rainstorms that tossed our umbrellas up and down the streets of Chinatown, the Mission and Oakland. And in the warm and dry screening venues around town, CAAMFest proved what it does best: showcasing documentaries about Asians and Asian Americans.
Why has A Poem Is a Naked Person, a film Les Blank considered the greatest he ever made, remained virtually unknown and unseen, until now, over 40
This year's Berlin International Film Festival presented a special screening of Life on the Border, a gripping project initiated and produced by Kurdish filmmaker Bahman Ghobadi. Over the past years Ghobadi has tirelessly narrated stories of the Kurds, the largest ethnic group without a state; their population spans from southeastern Turkey to northwestern Iran, northern Iraq and northern Syria.
I knew I had found a place in the documentary world that I could call home when, on the Friday night of the True/False Film Fest (March 3 – 6) in
The final chord of "the Blackfish effect" has finally resounded, with a stunning and unprecedented corporate policy announcement from SeaWorld. In
At SXSW this year, you could find great pleasure in films at two extremes of the commercially viable spectrum: the idiosyncratic passion project at
"Quality over quantity." If you were a documentary filmmaker attending the 18th annual Realscreen Summit in Washington, DC earlier this month, that
History is often fragmented, patched with fictions and intricate inconsistencies. This year's International Forum of New Cinema—in short, the Forum