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The Sundance Institute recently named Tabitha Jackson as the new director of its Documentary Film Program (DFP); she succeeds Cara Mertes, who stepped
'Herman's House' premieres in theaters April 19, 2013 through First Run Features.
I had been given such a wide breadth of opinions, suggestions, thoughts on Sundance that it felt a bit like I walked into somebody else’s IG story
Documentarians Stephen Maing (2018’s Crime + Punishment) and Brett Story (2019’s The Hottest August) have wielded different observational filmmaking approaches to explore social and political issues in the United States, from the possibility of police reform to the psychogeography of the carceral state.
Seeking Mavis Beacon follows two fabulously charming e-girl detectives: director Jazmin Renée Jones and associate producer Olivia McKayla Ross, as
A dizzying, fast-paced, 150-minute montage about American jazz, Western imperialism, European colonization, and the assassination of Congolese
A revelatory portrait of psychics and their clients, Lana Wilson’s Look Into My Eyes is also an unexpectedly poignant love letter to the myriad artists and performers that fake it till they make it in NYC—as well as to the city itself. A few days prior to the film’s January 22 premiere at Sundance, Documentary was fortunate to catch up with the director.
As a clueless American not previously aware that “Gross National Happiness” is a measurable index in the Himalayan country of Bhutan, I did a double
Moroccan filmmaker Asmae El Moudir (2020’s The Postcard ) grew up in a world in which images were forbidden. She had no childhood photos (save for one
Sundance’s hold on worldwide documentary market trends remains in full force, even if its status is now based more on historical precedence than