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Gilbert Mirambeau Jr.

Gilbert Mirambeau Jr - Producer Headshot

Gilbert Mirambeau Jr. is a producer, writer, and activist based in Haiti. He is the general manager of Muska Group, a leading production company specializing in advertising. In 2015, he co-founded Muska Films and produced his first mid-length film, Kafou (2017), which won multiple awards. In 2022, he executive-produced the short documentary Brave, pre-selected at Cannes Directors’ Fortnight and honored with several prizes. His debut feature, Kidnapping Inc., premiered at Sundance in 2024. Gilbert is also an alumnus of the Producers Labs at Locarno, Berlin, Eurodoc, and Cannes.

Associated Credits

Vanessa and Tamara stand close together, smiling brightly as they take a selfie on a smartphone. Vanessa, in a royal blue top with long braids and hoop earrings, holds the phone out in front of them, while Tamara, dressed in a patterned outfit, leans in beside her. Both women radiate joy, their wide smiles filling the frame. Just behind them, Vanessa’s husband embraces someone tightly, his face pressed against a shoulder. The moment is tender yet bittersweet—Vanessa and Tamara are capturing one last photo t
The Other Side of the Sea

Gang violence in Port-au-Prince is escalating. Like a visual journal, within the confines of my home, my camera bears witness to the forced departure of my two sisters, possibly my brother, and my niece. I find myself grappling with the same dilemma: to stay or to leave.

Articles

IDA Member Spotlight: Araceli and Adelaide headshots
IDA Member Spotlight: Araceli Seager and Adelaide Burrows
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‘Documentary’ Launches Greatest Docs of the 21st Century Poll
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Remembering Jill Godmilow, Iconoclastic Filmmaker and Author of ‘Kill the Documentary’
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Lines in Sand: IDFA 2025 Traces Documentary Collaboration Across Borders
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“1,000 Hours of Footage Sounds Daunting”: Ian Bell and Alex Megaro on IDA Award Best Editing Nominee ‘WTO/99’
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“We Cannot Run Away From Our Animalistic Nature”: Tamara Kotevska on ‘The Tale of Silyan’
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Staying Power: Julie Goldman on Building Motto Pictures
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IDA’s 2025 Emerging Filmmaker Award Honoree, Brittany Shyne, Discusses Her Debut Feature, ‘Seeds’
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How Impact Partners Reshaped Documentary Financing
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Notes From the Reel World, Winter 2026
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Letter From the Editor, Winter 2026
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“An Espresso Shot of a Story”: Bernardo Ruiz Discusses His First Retrospective and “Humblecore” Filmmaking
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Exclusive: Trailer for Hilla Medalia’s ‘Children No More: Were and Are Gone’
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“Mind and Heart”: Mehrdad Oskouei and the Team of ‘A Fox Under a Pink Moon’ on Remote Collaboration
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Exclusive: Center for Asian American Media Announces Second Cohort of Building Bridges Documentary Fund Grantees
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“Documentary Probably Doesn’t Exist”: Gianluca Matarrese on ‘GEN_’ and ‘I Want Her Dead’
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IDA Documentary Awards Los Angeles. December 4-6, 2025
IDA Announces Nominees for 41st Documentary Awards
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Metric of Loss: Mstyslav Chernov Discusses the Ethical Responsibility of ‘2000 Meters to Andriivka’
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The Synthesis: Can AI—or documentary—get us closer to human authenticity?
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Exclusive: Trailer for Diego Gutiérrez’s ‘The Shipwrecked,’ world-premiering in IDFA’s International Competition
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“A Pure Act of Faith”: Dmytro Sukholytkyy-Sobchuk on Observing a Ukrainian Pacifist Community in ‘Silent Flood’
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IDA Grantees at DOC NYC 2025
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Film still from 'Queer as Punk'
IDA Grantees at IDFA 2025
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The Price of Recognition: What Happened After the First-Ever San Quentin Film Festival
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“In the Post-Colonial Building of Power Structures, Collaboration Is Everything”: Rintu Thomas and Sushmit Ghosh Discuss the Himalayan Story Lab
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2025 Pare Lorentz grantees headshots. (left to right, top to bottom) Director: Emilia Mello, Producer: Elijah Steven, Director: Juan Javier Pérez Pérez, Producer: Daniela Contreras, Director: Samuel Suffren, Producers: Gaëthan Chancy, Gilbert Mirambeau Jr.
IDA Announces 2025 Pare Lorentz Documentary Fund Grantees
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The Explainer: What Is British Impartiality (And Can It Survive)?
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IDA Member Spotlight: Christine La Monte
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San Sebastián 2025: Lau Haizetara Project Highlights, ‘Good Valley Stories,’ ‘Flores para Antonio,’ Juliette Binoche’s Doc, and ‘Copper’
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Hot Springs 2025: Uncertainty and Camaraderie Characterize 3rd Annual Filmmaker Forum
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Statement on the Detainment of Documentary Association Georgia Collegue Giorgi Mrevlishvili
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Producer’s Diary: ‘In Waves and War’ (March 2019–July 2025)
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The Synthesis: How Sora 2 Mainstreams the Collapse Between Irony and Information
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IDA Statement Opposing A Merger Involving Warner Bros. Discovery
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When Heaven Meets Earth: Petra Costa Discusses ‘Apocalypse in the Tropics’
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Where Life and Death Coexist: Vitaly Mansky on His Berlinale-Premiering ‘Time to the Target’
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Exclusive: Trailer for Gregor Brändli’s ‘Elephants & Squirrels,’ Premiering at DOK Leipzig and IDFA
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TIFF 2025: Consistency Is Key
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“The BBC Is a Brand”: How BBC Editorial Control Sidelines Middle Eastern Documentary Voices
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Ripple Effect: Brent and Craig Renaud’s Vérité Filmmaking in Pursuit of Peace
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IDA Member Spotlight: Sara Khaki & Mohammadreza Eyni
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5 Tips for Documentary Fundraising in 2025
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“The Gnarly Kind of Hope”: Elise McCave on Her First Year Leading Camden IFF and the Points North Institute
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New Partnership Launched with Manhattan Neighborhood Network
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Tribeca 2025: What Lies Beneath
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A crowded auditorium with green seats full of a clapping, sitting audience.
BlackStar 2025: Hallowed Ground
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The Synthesis: Raoul Peck on Using AI to Critique Authoritarianism in ‘Orwell: 2+2=5’
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“The Art Creates the Man”: Rebecca Miller on Documenting Martin Scorsese’s Life and Work in ‘Mr. Scorsese’
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