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Maxim Derevianko

Associated Credits

Portrait of Ai Weiwei
Ai Weiwei's Turandot

AI WEIWEI’S TURANDOT follows Chinese revolutionary artist, Ai Weiwei, as he brings his artistic vision and iconoclastic activism to Puccini’s Turandot at the Rome Opera House during his directorial operatic debut.

Articles

Black and white photo of a white woman with dark hair pulled back under a hat, wearing a scarf and a coat
Remembering Jill Godmilow, Iconoclastic Filmmaker and Author of ‘Kill the Documentary’
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A woman lays on a bed that stands alone in the middle of a dusk-lit forest
Lines in Sand: IDFA 2025 Traces Documentary Collaboration Across Borders
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Grainy shot of group of outdoor protestors holding "We Demand Public Voice" signs with WTO crossed out
“1,000 Hours of Footage Sounds Daunting”: Ian Bell and Alex Megaro on IDA Award Best Editing Nominee ‘WTO/99’
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An older man holding a stork in a blanket in his living room.
“We Cannot Run Away From Our Animalistic Nature”: Tamara Kotevska on ‘The Tale of Silyan’
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A vertical image of a smiling white woman with long curly brown hair, wearing glasses and a black shirt, leaning against a stone wall.
Staying Power: Julie Goldman on Building Motto Pictures
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A Black woman in a black leather jacket stands with hands clasped in a field of autumnal leaves.
IDA’s 2025 Emerging Filmmaker Award Honoree, Brittany Shyne, Discusses Her Debut Feature, ‘Seeds’
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In front of red curtains, three people sit on chairs on a stage.
How Impact Partners Reshaped Documentary Financing
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Notes From the Reel World, Winter 2026
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Letter From the Editor, Winter 2026
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Five young men, each holding a different musical instrument, stand outside in a sunny field
“An Espresso Shot of a Story”: Bernardo Ruiz Discusses His First Retrospective and “Humblecore” Filmmaking
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Two rows of people stand in silent vigil outside, holding large print-out posters of children's faces.
Exclusive: Trailer for Hilla Medalia’s ‘Children No More: Were and Are Gone’
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Under a blue cloth that is semi-transparent, a teenaged girl lays on the floor with her eyes closed.
“Mind and Heart”: Mehrdad Oskouei and the Team of ‘A Fox Under a Pink Moon’ on Remote Collaboration
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12 headshots, in grid form, some in color, some in black and white
Exclusive: Center for Asian American Media Announces Second Cohort of Building Bridges Documentary Fund Grantees
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A woman with shoulder-length auburn hair wearing a white winter coat sits alone at a table with a blown-up print of the New York City skyline behind her
“Documentary Probably Doesn’t Exist”: Gianluca Matarrese on ‘GEN_’ and ‘I Want Her Dead’
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IDA Documentary Awards Los Angeles. December 4-6, 2025
IDA Announces Nominees for 41st Documentary Awards
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Three soldiers, with helmets and a small Ukrainian flag on their uniforms, crouching holding their guns outdoors
Metric of Loss: Mstyslav Chernov Discusses the Ethical Responsibility of ‘2000 Meters to Andriivka’
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A monitor shows a film project being cut using editing software
The Synthesis: Can AI—or documentary—get us closer to human authenticity?
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Two people sit on a rock against a vast desert landscape before them
Exclusive: Trailer for Diego Gutiérrez’s ‘The Shipwrecked,’ world-premiering in IDFA’s International Competition
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A drenched young man in nothing but a swimsuit rides a horse in the middle of a body of water
“A Pure Act of Faith”: Dmytro Sukholytkyy-Sobchuk on Observing a Ukrainian Pacifist Community in ‘Silent Flood’
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Film still from 'Nuns vs. The Vatican'
IDA Grantees at DOC NYC 2025
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Film still from 'Queer as Punk'
IDA Grantees at IDFA 2025
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A line illustration of a series of arrows connecting a film projector, ideas, a CCTV surveillance camera, the scales of justice, and a pair of handcuffed hands.
The Price of Recognition: What Happened After the First-Ever San Quentin Film Festival
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Six brown-skinned individuals (three men, three women) sit on a grassy knoll in a forest, smiling at the camera
“In the Post-Colonial Building of Power Structures, Collaboration Is Everything”: Rintu Thomas and Sushmit Ghosh Discuss the Himalayan Story Lab
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2025 Pare Lorentz grantees headshots. (left to right, top to bottom) Director: Emilia Mello, Producer: Elijah Steven, Director: Juan Javier Pérez Pérez, Producer: Daniela Contreras, Director: Samuel Suffren, Producers: Gaëthan Chancy, Gilbert Mirambeau Jr.
IDA Announces 2025 Pare Lorentz Documentary Fund Grantees
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Screenshot of the online version of the BBC editorial guidelines 2025
The Explainer: What Is British Impartiality (And Can It Survive)?
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Christine La Monte headshot
IDA Member Spotlight: Christine La Monte
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In a dusty road, two men with helmets on stand on either side of a broken down, battered car.
San Sebastián 2025: Lau Haizetara Project Highlights, ‘Good Valley Stories,’ ‘Flores para Antonio,’ Juliette Binoche’s Doc, and ‘Copper’
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With a movie screen behind them that details the information for this Filmmaker Forum panel, four seated panelists with microphones face a crowd
Hot Springs 2025: Uncertainty and Camaraderie Characterize 3rd Annual Filmmaker Forum
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Giorgi Mrevlishvili headshot
Statement on the Detainment of Documentary Association Georgia Collegue Giorgi Mrevlishvili
Advocacy, Blog
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On the grassy banks of a lake, four white people wearing festival lanyards stand casually and happily.
Producer’s Diary: ‘In Waves and War’ (March 2019–July 2025)
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Bright purple backdrop featuring a digital image of a lightbulb where a genAI image of Pikachu is surrounded by cops
The Synthesis: How Sora 2 Mainstreams the Collapse Between Irony and Information
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IDA Statement Opposing A Merger Involving Warner Bros. Discovery
Advocacy, Blog
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Woman with shoulder length brown hair in a white suit stands against a lush green garden backdrop.
When Heaven Meets Earth: Petra Costa Discusses ‘Apocalypse in the Tropics’
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Led by a soldier carrying the Ukrainian flag, a casket is being carried by soldiers into a church; some onlookers kneel on the street as if it were a parade.
Where Life and Death Coexist: Vitaly Mansky on His Berlinale-Premiering ‘Time to the Target’
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A camera on a tripod captures a portrait of a woman wearing a pink sweater, latex gloves, and a wooden indigenous mask in a nondescript room.
Exclusive: Trailer for Gregor Brändli’s ‘Elephants & Squirrels,’ Premiering at DOK Leipzig and IDFA
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A group of powwow dancers outside, in front of a copse of trees.
TIFF 2025: Consistency Is Key
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A young man wearing a puffy jacket looks to the side.
“The BBC Is a Brand”: How BBC Editorial Control Sidelines Middle Eastern Documentary Voices
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A man wearing a baseball cap and carrying a camera and tripod strolls through an arid landscape, illuminated by a sunset.
Ripple Effect: Brent and Craig Renaud’s Vérité Filmmaking in Pursuit of Peace
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headshots of Sara Khaki & Mohammadreza Eyni
IDA Member Spotlight: Sara Khaki & Mohammadreza Eyni
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Closeup of a person cutting a piece of paper with "It was" written on it in half with a pair of black scissors.
Exclusive: Clip From Kevin B. Lee’s Debut Feature ‘Afterlives,’ Premiering at Doclisboa and London
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Left to Right - Julie Goldman, Brittany Shyne, Impact Partners
41st IDA Documentary Award Honorees
Blog
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A man in a red shirt beds over a worktable.
5 Tips for Documentary Fundraising in 2025
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On a large stage with a Camden International Film Festival slide, a short-haired woman speaks into a microphone.
“The Gnarly Kind of Hope”: Elise McCave on Her First Year Leading Camden IFF and the Points North Institute
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Manhattan Neighborhood Network studio
New Partnership Launched with Manhattan Neighborhood Network
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From far away, a film still of a man standing in a shaft of light in a vast underground cavern.
Tribeca 2025: What Lies Beneath
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A crowded auditorium with green seats full of a clapping, sitting audience.
BlackStar 2025: Hallowed Ground
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Overhead shot of a shopping center with logos and slogans.
The Synthesis: Raoul Peck on Using AI to Critique Authoritarianism in ‘Orwell: 2+2=5’
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In a living room, a woman and a man wearing lavalier mics sit on a gray couch.
“The Art Creates the Man”: Rebecca Miller on Documenting Martin Scorsese’s Life and Work in ‘Mr. Scorsese’
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A hand tenderly touches a plaque that reads: "Stephen / Henry Hilda."
Inherited Fictions: Renowned Editor Mary Stephen on Examining Her Surname in ‘Palimpsest’
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From above, an image of fishermen sorting their catch.
Dangerous Waters: Baby Ruth Villarama’s ‘Food Delivery: Fresh From the West Philippine Sea’ Finds Its Way Home After Suppression
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