In 2018, a junior soccer team and their assistant coach went into a nearby cave in Thailand’s Chiang Rai province. It was a week before the cave was
Cinematography
"You never forget your first time seeing a whale," director Joshua Zeman says in The Loneliest Whale: The Search for 52. His was as a kid working on a
Istanbul has a special relationship with their street dogs. It’s not merely tolerance; it’s collective care. Elizabeth Lo discovered this after the death of her childhood pet prompted her to examine how cultures around the world act towards the canine creatures with whom mankind has evolved. Thus was born Stray, a feature documentary that gets inside the life of one dog in particular, Zeytin, and shows how full of agency and rich with encounters her life is.
The Mole Agent is in a class by itself. For starters, documentaries about private detectives and their moles are exceedingly rare. What’s more, any film that mashes up vérité, film noir and Pink Panther tone is one of a kind.
Dujuan Hoosan is a precocious 10-year-old from Mparntwe (Alice Springs), Australia, considered a healer by his Arrernte tribe and a delinquent by his colonialist-minded school. For more than two years, Australian documentarian Maya Newell followed Dujuan, capturing both quotidian moments and broader patterns of racism, with special focus on the educational and juvenile detention systems.
The most nerve-wracking sequence in David France’s Welcome to Chechnya is, without doubt, the rescue of Anya.
When shooting vérité, Jesse Moss is typically a one-man-band. But his latest film—codirected with his wife, Amanda McBaine—demanded a full orchestra. Boys State required 28 crew members, to be exact, including an octet of cinematographers.
Documentary filmmakers have to be ready for anything. As the saying goes, the minute you put down the camera, the most amazing thing happens. In order
A thirty-year veteran in the documentary field, Kirsten Johnson has received numerous accolades for her documentary films, Derrida, Darfur Now, Pray
I work as both a cinematographer and a director/cinematographer; I find the latter to be especially challenging. I need to be able to have the tools I