Margaret Byrne’s Any Given Day is a half-decade-long ride on the roller coaster that those living with a mental illness face—on “any given day”—through the stories of four distinctly riveting individuals, three of whom the director met while investigating the treatment of detainees at Chicago’s Cook County Jail, which in 2014 had the dubious distinction of being the largest single-site mental health facility in the country. And these individuals are participants in the city’s diversionary mental health court probation program. (Which, unfortunately, is itself problematic, since a guilty plea
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Screen Time is your curated weekly guide to excellent documentaries and nonfiction programs that you can watch at home. July is BIPOC Mental Health Month, and it provokes us to have a conversation about mental health, of course, but specifically within the context of BIPOC communities who have been left out of the conversation. They have been denied access to mental healthcare that is administered in culture-sensitive ways, while they have had to negotiate with what is tabooed and often ignored within their communities. For this week’s Screen Time, we include some documentaries that can help
Essential Doc Reads is our curated selection of recent features and important news items about the documentary form and its processes, from around the internet, as well as from the Documentary magazine archive. We hope you enjoy!
Editors’ Note: Doc10 is Chicago's only all-documentary film festival and this year, the festival honored filmmaker Jessica Devaney with its inaugural Vanguard Award, for being “at the forefront of creating and cultivating innovative and important documentary filmmaking.” We are grateful that Devaney shared her acceptance speech with us. And a very special thanks to our friends at Doc 10. The speech has been edited for length and clarity. When I first heard the name of this award, I thought, That's a lot to bite off… a “Vanguard Award”—what does that mean? As I sat with it for a little bit, I
Filmmakers have a special place in their hearts for film festivals hosted in small theaters, in idyllic local neighborhoods, with thoughtful Q&As, and crowds as interesting as the films themselves. In many ways, that’s the kind of festival QDoc, The Portland Queer Documentary Film Festival offers itself as. QDoc is the only festival in the US dedicated solely to LGBTQ+ nonfiction, and it makes space, like no other, for queer and trans documentarians. As with many good things, small festivals like this one were among the most impacted by COVID, but now, after a two-year hiatus and much
Screen Time is your curated weekly guide to excellent documentaries and nonfiction programs that you can watch at home. It’s been a hard week to fish out hope, to feel like there is a future that rests on able, progressive, equitable shoulders. As we watched Linda Goldstein Knowlton and Katie Flint’s We Are The Radical Monarchs, we drew inspiration from the young girls of color in Oakland, who are members of Radical Monarchs, “an alternative to the Scout movement for girls of color, aged 8-13.” We suggest you watch these young social activists on POV, and take heart in the fact that our world
Kill the Documentary is a brilliant, angry book. An honest book. A brave book. Guggenheim Fellow and award-winning filmmaker Jill Godmilow has written a stirring call to arms in a form she calls “a letter.” I rather agree with Bill Nichols, who writes in the foreword that he prefers to call it “a manifesto.”
World-premiering at the 2021 Tribeca Festival, Emily Branham’s Being BeBe is a revealing walk (uh, sashay) down memory lane with the titular BeBe Zahara Benet, the very first winner of RuPaul’s Drag Race, back in 2009. Well, not exactly. Rather, BeBe’s equally charismatic conjurer—a Minnesota transplant from Cameroon named Marshall Ngwa—actually takes the lead in guiding us through 15 vérité-captured years of the artist’s creatively fulfilling/financially devastating (though fortunately, family-supportive) life—from her humble amateur drag beginnings in Minneapolis in 2006 (when Branham, whose
Screen Time is your curated weekly guide to excellent documentaries and nonfiction programs that you can watch at home. Forty years ago, Vincent Chin—a young Chinese American man—was murdered by a white American autoworker who went on to confess but never served any time. Christine Choy and Renee Tajima-Peña’s Oscar-nominated and IDA Documentary Award-winning Who Killed Vincent Chin? was released in 1987 and continues to raise questions about race, the American legal system, and justice in ways that remain ever-pertinent and relevant. Catch the film as it plays on POV, as a part of a special
Essential Doc Reads is our curated selection of recent features and important news items about the documentary form and its processes, from around the internet, as well as from the Documentary magazine archive. We hope you enjoy! Over at IndieWire, Eric Kohn questions the ways film festivals have been treating their programmers. “While the industry relies on programmers, they have never been treated as more disposable. What would it take to change that?” he asks. Meanwhile, so many programmers stitch together their profession in piecemeal that festivals build their budgets around the notion