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Making a Production: NoCut Film Collective

By Sudipto Sanyal

Making a Production: NoCut Film Collective

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Exclusive: American Documentary Honors PJ Raval With Creative Visionary Award

By IDA Editorial Staff

Exclusive: American Documentary Honors PJ Raval With Creative Visionary Award

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“A Very Elegant Triangle”: Elizabeth Lo Discusses ‘Mistress Dispeller’

By Amarsanaa Battulga

“A Very Elegant Triangle”: Elizabeth Lo Discusses ‘Mistress Dispeller’

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Matters of Life and Decay: Bill Morrison’s Material Profundity

By Carmine Grimaldi

Matters of Life and Decay: Bill Morrison’s Material Profundity

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The Feedback: Emily Packer’s Many Forms of Hybridity in ‘Holding Back the Tide’

By Lauren Wissot

The Feedback: Emily Packer’s Many Forms of Hybridity in ‘Holding Back the Tide’

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A Bump in the Road on Our Ride Ahead

By Various Authors

A Bump in the Road on Our Ride Ahead

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Exclusive: Catapult Film Fund Names Tabitha Jackson to Board

By IDA Editorial Staff

Exclusive: Catapult Film Fund Names Tabitha Jackson to Board

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On the Notion of Transmission

By Jean-Marie Teno

On the Notion of Transmission

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“Breaking the Fourth Wall of VR”: Ben Joseph Andrews and Emma Roberts Discuss ‘Turbulence: Jamais Vu’

By Karen Cirillo

“Breaking the Fourth Wall of VR”: Ben Joseph Andrews and Emma Roberts Discuss ‘Turbulence: Jamais Vu’

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BlackStar 2024: Bending Space-Time

By Matazi Weathers

BlackStar 2024: Bending Space-Time

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“This Story Serves as a Cautionary Tale”: Sam and Jason Pollard on Their Documentary ‘Ol’ Dirty Bastard: A Tale of 2 Dirties’

By Noel Ransome

“This Story Serves as a Cautionary Tale”: Sam and Jason Pollard on Their Documentary ‘Ol’ Dirty Bastard: A Tale of 2 Dirties’

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CPH:DOX 2024 Reviews: ‘Phantoms of the Sierra Madre,’ ‘The Flats,’ and ‘Black Snow’

By Vladan Petković

CPH:DOX 2024 Reviews: ‘Phantoms of the Sierra Madre,’ ‘The Flats,’ and ‘Black Snow’

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