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“The Racism Was So Thick, You Could Cut It With a Pair of Scissors”: Alanis Obomsawin on Her Life Works and Purpose
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“The Racism Was So Thick, You Could Cut It With a Pair of Scissors”: Alanis Obomsawin on Her Life Works and Purpose
By Dan Schindel
Exclusive: Trailer from Garry Keane’s Doc Edge-Premiering ‘A Quiet Love’
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Exclusive: Trailer from Garry Keane’s Doc Edge-Premiering ‘A Quiet Love’
By Davide Abbatescianni
How to Best Describe Your GenAI Materials in Documentary Proposals: Four Approaches, From a Grant Reviewer
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How to Best Describe Your GenAI Materials in Documentary Proposals: Four Approaches, From a Grant Reviewer
By Daniel Larios
Tribeca Immersive 2025: Better Off Together
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Tribeca Immersive 2025: Better Off Together
By Katerina Cizek
“Mierle Does Not Fit Neatly Into Any Box”: Toby Perl Freilich Discusses Her Tribeca-Premiering ‘Maintenance Artist’ Starring Mierle Laderman Ukeles
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“Mierle Does Not Fit Neatly Into Any Box”: Toby Perl Freilich Discusses Her Tribeca-Premiering ‘Maintenance Artist’ Starring Mierle Laderman Ukeles
By Lauren Wissot
How To Get Your Doc in the Spotlight: A Press Strategy Talk at Iceland’s Skjaldborg Festival
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How To Get Your Doc in the Spotlight: A Press Strategy Talk at Iceland’s Skjaldborg Festival
By Davide Abbatescianni
Remembering Andrea Nevins
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Remembering Andrea Nevins

By Nancy Kates
Exclusive: Clip from Vickie Curtis and Doug Anderson’s Sheffield-Premiering ‘Comparsa’
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Exclusive: Clip from Vickie Curtis and Doug Anderson’s Sheffield-Premiering ‘Comparsa’
By Grace Gordon
Cannes 2025: Nonfiction, By the Numbers
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Cannes 2025: Nonfiction, By the Numbers

By Nicolas Rapold
Exclusive: Clip from Beth Stephens and Annie Sprinkle’s ‘Playing With Fire: An Ecosexual Emergency’
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Exclusive: Clip from Beth Stephens and Annie Sprinkle’s ‘Playing With Fire: An Ecosexual Emergency’
By IDA Editorial Staff
“Sometimes the Past Is a Snake”: Tatiana Fuentes Sadowski on the Legacy of the Rubber Trade in ‘The Memory of Butterflies’
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“Sometimes the Past Is a Snake”: Tatiana Fuentes Sadowski on the Legacy of the Rubber Trade in ‘The Memory of Butterflies’
By Rachel Pronger
“An Exploration of Whiteness and the Flattering Illusions of History”: Suzannah Herbert on her Tribeca-Winning Natchez
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“An Exploration of Whiteness and the Flattering Illusions of History”: Suzannah Herbert on her Tribeca-Winning Natchez
By Lauren Wissot