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“Documentary Probably Doesn’t Exist”: Gianluca Matarrese on ‘GEN_’ and ‘I Want Her Dead’
Online Feature

“Documentary Probably Doesn’t Exist”: Gianluca Matarrese on ‘GEN_’ and ‘I Want Her Dead’
By Manuel Betancourt
Metric of Loss: Mstyslav Chernov Discusses the Ethical Responsibility of ‘2000 Meters to Andriivka’
Fall 2025 - Feature

Metric of Loss: Mstyslav Chernov Discusses the Ethical Responsibility of ‘2000 Meters to Andriivka’
By Sonya Vseliubska
The Synthesis: Can AI—or documentary—get us closer to human authenticity?
Column

The Synthesis: Can AI—or documentary—get us closer to human authenticity?
By Katerina Cizek , shirin anlen
Exclusive: Trailer for Diego Gutiérrez’s ‘The Shipwrecked,’ world-premiering in IDFA’s International Competition
Exclusive News

Exclusive: Trailer for Diego Gutiérrez’s ‘The Shipwrecked,’ world-premiering in IDFA’s International Competition
By Davide Abbatescianni
“A Pure Act of Faith”: Dmytro Sukholytkyy-Sobchuk on Observing a Ukrainian Pacifist Community in ‘Silent Flood’
Online Feature

“A Pure Act of Faith”: Dmytro Sukholytkyy-Sobchuk on Observing a Ukrainian Pacifist Community in ‘Silent Flood’
By Sonya Vseliubska
The Price of Recognition: What Happened After the First-Ever San Quentin Film Festival
Fall 2025 - Feature

The Price of Recognition: What Happened After the First-Ever San Quentin Film Festival
By Steve Brooks
“In the Post-Colonial Building of Power Structures, Collaboration Is Everything”: Rintu Thomas and Sushmit Ghosh Discuss the Himalayan Story Lab
Online Feature

“In the Post-Colonial Building of Power Structures, Collaboration Is Everything”: Rintu Thomas and Sushmit Ghosh Discuss the Himalayan Story Lab
By Botagoz Koilybayeva
The Explainer: What Is British Impartiality (And Can It Survive)?
Column

The Explainer: What Is British Impartiality (And Can It Survive)?
By Nick Bradshaw
San Sebastián 2025: Lau Haizetara Project Highlights, ‘Good Valley Stories,’ ‘Flores para Antonio,’ Juliette Binoche’s Doc, and ‘Copper’
Online Feature

San Sebastián 2025: Lau Haizetara Project Highlights, ‘Good Valley Stories,’ ‘Flores para Antonio,’ Juliette Binoche’s Doc, and ‘Copper’
By Davide Abbatescianni
Hot Springs 2025: Uncertainty and Camaraderie Characterize 3rd Annual Filmmaker Forum
Online Feature

Hot Springs 2025: Uncertainty and Camaraderie Characterize 3rd Annual Filmmaker Forum

By Lauren Wissot
Producer’s Diary: ‘In Waves and War’ (March 2019–July 2025)
Fall 2025 - Column

Producer’s Diary: ‘In Waves and War’ (March 2019–July 2025)
By Robin Berghaus
The Synthesis: How Sora 2 Mainstreams the Collapse Between Irony and Information
Column

The Synthesis: How Sora 2 Mainstreams the Collapse Between Irony and Information
By Katerina Cizek , shirin anlen