At Double Exposure Investigative Film Festival, come for the recent festival winners that share a common DNA: investigative journalism. And stay for
Journalism
Liability Claims in the COVID Era; Legal Protections for Journalists; Precautions against Defamation
By Julie Angell, Steven C. Beer & Neil J. Rosini
The most nerve-wracking sequence in David France’s Welcome to Chechnya is, without doubt, the rescue of Anya.
During this unprecedented period of the coronavirus pandemic, people have had to lean more and more on the use of technology for daily interactions
Cutting Class is a new column that focuses on a specific aspect of the post-production process—breaking down a scene editorially, and delving into
Documentaries aren’t solely about issues. “One problem filmmakers come across is, ‘Here’s an issue I care about. I’m going to talk to a bunch of
During this historic time, many of you are using your cameras to witness and capture unfolding events in hostile environments. Reporting in the US on
As a graduate student at U.C. Berkeley’s Graduate School of Journalism, I was required to take a class on law and ethics (students still are). As a
Subpoenas demanding that documentary filmmakers reveal confidential sources, or disclose their outtakes, notes or other unpublished work product pose
When IDA launched the Enterprise Documentary Fund at Sundance 2017, the festival coincided with the Women's March and Trump's inauguration. The